Join us for a performance class with Ivy Ringel, Principal Bassoon of the Indianapolis Symphony Orchestra on orchestral excerpts for first bassoon.

Note: As an organization, Meg Quigley has made the decision to move away from the term “Masterclass.”

Join us for a performance class with Nanci Belmont, Assistant Professor of Bassoon at Louisiana State University on contemporary repertoire for solo bassoon.

Note: As an organization, Meg Quigley has made the decision to move away from the term “Masterclass.”

Join us for a performance class with Francisco Joubert, Second Bassoonist of the Louisville Orchestra.

Note: As an organization, Meg Quigley has made the decision to move away from the term “Masterclass.”

Join us for an introduction to the contrabassooon followed by an audition workshop on orchestral excerpts for the contrabassoon by Steven Braunstein, the recently-retired bassoonist and contrabassoonist with the San Francisco Symphony! In this workshop format, participants may be asked to play their excerpts at any time, interspersed with feedback from Mr. Braunstein and excerpt-related questions from audience members. If you are interested in participating in this class but are unable to bring a contrabassoon, let us know—we may have one or more instruments available for participant use. All levels (including beginners!) are welcome to attend and learn!

Join us for a performance class with Gina Cuffari, Co-Principal Bassoon of the Orpheus Chamber Orchestra and Professor of Bassoon at New York University entitled, “Finding Your Voice: Using Vocal Techniques to Improve Your Bassoon Playing.”

Note: As an organization, Meg Quigley has made the decision to move away from the term “Masterclass.”

Join us for a performance class with Ann Shoemaker, Associate Professor of Bassoon, Baylor University featuring solo repertoire and orchestral excerpts for the bassoon.

Note: As an organization, Meg Quigley has made the decision to move away from the term “Masterclass.”

Join us for a performance class with Peter Kolkay, Associate Professor, Vanderbilt University featuring solo repertoire for the bassoon by women composers.

Note: As an organization, Meg Quigley has made the decision to move away from the term “Masterclass.”